To complete the picture on recent Sam Eason beardy action, a few notes on Sunday's Louisiana gig as well as some exciting news (that I pretty much can't say much about at the moment!).

I've been lucky enough to almost call The Lousiana my second home at times this year, playing there in 4 of the last 6 months. It still never loses it's magic - I just love the intimacy of the place; the fact that often the first few rows of people are sat on the floor which accentuates the feeling of playing in someone's living room. The audience is always so respectful and receptive too, and I don't think a bad job has ever been done by the great sound guys. Both The Fleece and The Louisiana (who are programmed by the Fleece guys) do a great job of providing opportunities for local acts and helping them to get a foot up onto the gigging ladder which I for one, very much appreciate. 

Sunday's gig was another great coming-together of a variety of acts which despite offering very different musical textures, still somehow still felt cohesive as a lineup. Eddy Hill kicked the night off with a great attitude-led singer-songwriter set reminiscent of Jamie T's more acoustic based material. This was followed by Hayley Chillcott who had people enraptured and transfixed by her beautifully fragile, yet dreamily ethereal voice over some finely crafted, softer acoustic songs.

I then played a set that, while not among my absolute best, was still memorable for a few reasons. Firstly, I decided to put 'Cliches' mid-way through the set for a change, in order to finish on 'Across The Sky' which I thought might be a nice one to leave people with. Secondly, I played a new song which despite being unconvinced by a few days before, with a few added harmonies from Beth, I finally 'got' the song and feel that it offers something to the canon that I haven't really had before. It's tentatively called 'Ever Decreasing Circles', and it's about the slightly downbeat idea that once we all get to a certain age/point in our lives, the knocks we take start to have a longer lasting effect and we're never quite able to get back to our levels of 'wellness' - the song is about getting to the point of no return really, where it may be better to let go than to hold on. As I said, a bit of a different angle to the usual Sam Eason love and happiness malarkey!!

I'm never a really good judge of how the gig comes across but, lots of people took CDs and said some nice things, so even if they were all doing it out of pity or duty, I felt like I did a good job! It was nice to catch some of headliners 'Scott James & The Revolution' - acoustic soul/folk with an urban tinge. Very different but it worked and there was some real talent up on that stage!

Finally, I'll leave you with the news that I'm working on doing the 'band thing' with some incredibly talented people that may or may not yield something special - the initial ideas and discussions have been awesome, but we have yet to meet in a room and get our instuments out.... ahem. That comes next week.
Watch this space, if it goes well, I'll tell you more (if it doesn't, I won't.)

Beard love xx

Photo credit: Mike Harley, http://bristolbands-mikeharley.blogspot.co.uk/

A productive day on the recording front - two more done for the first covers EP! With the already 'leaked' cover of 'Lovefool', that's three I'm finished with. Have another that I did count as done but probably going to re-do it as I'm not really happy with it. One more is just awaiting a female vocal whilst the last one hasn't begun but will only be a simple one-taker (I hope!). I realise this is a very hazy update as it is very much lacking song titles, but I quite like the tease....